front cover of Ecuador
Ecuador
A Travel Journal
Henri Michaux
Northwestern University Press, 2001
Poet Henri Michaux boarded a ship for Ecuador in 1927 as "a man who knows neither how to travel nor how to keep a journal." The result is a work of pointed observation and sensual, even hallucinogenic, poetry and prose.
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front cover of Improbable Journeys
Improbable Journeys
Robin Magowan
Northwestern University Press, 2002
All writers risk their identities, some with each sentence. But abroad, writing about a life that can't help but seem elusive, the charlatan in oneself may feel all too exposed. Limited to the surface, to the most fortuitous of impressions, how can a foreign pair of eyes hope to pen anything that can vie with something an insider, born there, carrying that landscape in his bones, might write?

For more than four decades, poet Robin Magowan has journeyed in search of ecstatic spiritual experiences. Hitchhiking and walking, by bus or boat or when necessary by horse, he has explored lands as exotic as Nepal and New Guinea, as classic as Italy or France, and as forgotten as Persia and pre-Castro Cuba. All the while he has submerged himself, whether in the mysteries of Haitian voodoo or the simples pleasures of Burgundian peasant life. Known for the beauty, wit, and expressive power of his prose, Magowan's writing vibrates with the intensity of an outsider who crawls into the skin of a country--and emerges transformed.
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front cover of Robert Kipniss
Robert Kipniss
Paintings and Poetry, 1950–1964
Marshall N. Price
The Artist Book Foundation, 2013
A comprehensive look at a memorable period in the celebrated painter and printmaker’s life and career, Robert Kipniss: Paintings and Poetry, 1950–1964 is the result of his many arduous months revisiting his more-than-half-a-century-ago writings, poems that were stashed away and essentially forgotten. “Some of the poems are straightforward, some are infused with surreal irony, and some are angry,” says Kipniss in his candid and honest preface. Thoughtful and articulate from conception to completion, his never-before-published poems are choreographed with his early paintings in this monograph’s contemplation of these influential and foundational fourteen years. “When I stopped writing [in 1961] my vision was no longer divided between word-thinking and picture-thinking: these approaches had merged and in expressing myself I was more whole,” reflects Kipniss in his retrospective musings. This written and visual account of previously unpublished poems and critically acclaimed early paintings includes two astute and illustrative essays that further engage the reader in the evolution of the artist’s prolific oeuvre. His prints, drawings, and paintings are remarkable for their eloquence and refinement, earning him international recognition for his expansive landscapes and smalltown vistas, as well as quiet interiors and intimate still lifes. Thoughtful and articulate from conception to completion, his never-before-published poems are choreographed with his early paintings. Readers of this seminal volume are all the richer for catching a glimpse of an intensely personal segment of this accomplished artist’s private history. In an unambiguous assessment, Kipniss elaborates, “The most significant insight that arose in this undertaking...came when I began to collate reproductions of my paintings of the 1950s. I could clearly see that my work in the two mediums were from very differing parts of my psyche, and that while they were both in themselves completely engaged, they were not in any way together.” Kipniss’s work can be found in the permanent collections of The Metropolitan Museum of Art, New York, the Whitney Museum of American Art, New York, The British Museum, London, the Albertina, Vienna, Austria, the Bibliothèque Nationale de France, Paris, the Los Angeles County Museum of Art, Los Angeles, The Museum of Fine Arts, Boston and the Morgan Library, New York, among others.
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